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http://www.singingbridges.net
http://welcometobridgeland.com
Transnational artist Jodi Rose is the co-initiator, co-editor and co-curator of TRACES, with Transcultures and partners. Rose is creator of Singing Bridges, an urban sonic sculpture using the cables of bridges as instruments on a global scale. Developing connections through her nomadic art practice collaborating with artists, researchers, architects and curators internationally, Rose acts as the bridge linking partners in TRACES exchange. Rose produces sonic and conceptual interventions in diverse environments, working in the context of urban spaces, sound, philosophy, media, performance and technology. Tracing her engagement with local cultural practitioners and communities, she co-creates unique ephemeral, performance, improvisation and musical works adapted to the conditions of each specific location and concept. Her works have been produced, broadcast, exhibited and performed in arts festivals internationally, including Glasgow International, ISEA, Pixelache, Mal au Pixel, European Sound Delta, Dragonfly, CitySonics, Sonorama, Break 2.3, Transit Lounge, Electrofringe & Liquid Architecture. Rose continues to explore philosophical and musical aspects of cable vibrations through transmissions and installations, developing a musical interface for bridge instruments, on-site concerts, meta-nation 'Bridgeland' and linking bridges all over the world in the Global Bridge Symphony.
Mednarodna umetnica Jodi Rose je koordinatorica in so-kuratorica projekta TRACES, ki ga je inicira v okviru organizacije Transcultures iz Belgije. Rose se že vrsto let ukvarja s projektom Singing Bridges, pri katerem z ojačevanjem vibracij mostov gradi urbane zvočne skulpture. Poslužuje se nomadskega načina umetniškega delovanja. Sodeluje z umetniki, raziskovalci, arhitekti in kuratorji v mednarodnem prostoru, pri čemer sama velikrat deluje kot vezni člen, ki povezuje partnerje v projektu TRACES. Rose producira zvočne in konceptualne intervencije v različnih okoljih in deluje v kontekstu urbanih prostorov, zvoka, filozofije, medijev, performansa in tehnologije. Na osnovi sodelovanj z lokalnimi skupnostmi umetniških delavcev, soustvarja unikatne efemerne performanse, improvizacije in glasbena dela, ki so prilagojena specifičnemu kontekstu vsake posamezne lokacije. Njena dela so bila izvedena in razstavljena na mnogih mednarodnih festivalih. Med pomembnejšimi so: Glasgow International, ISEA, Pixelache, Mal au Pixel, European Sound Delta, Dragonfly, CitySonics, Sonorama, Break 2.3, Transit Lounge, Electrofringe in Liquid Architecture. Skozi transmisije in instalacije nadaljuje z raziskovanjem filozofskih in fizikalnih aspektov vibracij, pri čemer razvija glasbeni vmesnik za mostovne inštrumente, koncerte na lokacijah, meta-državo „Bridgeland“, ki bi mostove po vsem svetu združila v globalno simfonijo.
Artiste et organisatrice d’origine australienne installée à Berlin, son travail touche aux arts sonores, à différents médias, à l’espace urbain, à la création contemporaine contextuelle et aux technologies numériques. Jodi Rose est co-commissaire artistique, co-éditrice et médiatrice du projet européen TRACES, elle crée des interventions sonores et conceptuelles dans divers environnements, réalisant des performances alliant son et technologie, improvisation et travail musical. Créatrice de Singing Bridges et Transit Lounge Radio, elle a produit des travaux dans des festivals tels que le festival international des arts visuels de Glasgow, ISEA08 à Singapore, Pixelache à Helsinki, Mal au Pixel à Paris, European Sound Delta, City Sonics à Mons, Sonorama à Besançon, Electrofringe & Liquid Architecture.
Jodi Rose continue d’explorer les aspects philosophiques et musicaux des vibrations des cables à travers des performance et des installations, en développant des interfaces musicales pour des «ponts-instruments», des concerts in situ et une nouvelle méta-nation appellée Bridgeland. Elle rêve de relier des ponts partout dans le monde dans l’utopie de la Global Bridge Symphony.
Presentation
Traces
Jodi Rose discusses the development and philosophy of TRACES in relation to the precarious nature of contemporary culture and the global/local contexts of the project. In this time of cultural mutation, migration and diversity, artists and curators are required to embrace a culturally nomadic professional practice and innovative strategies of cultural resistance if we are to survive. TRACES takes a personal approach to ideas of intercultural dialogue and trans-european cultural mobility through embodied research, conversation and creation. How do conversation and artistic research become adaptive and transformative tools? Encouraging the ongoing critical and creative exchange between culture professionals, a flux of cultural migrants moving between places; sampling, infecting and transmitting memes of culture.
Predavanje
Traces
Jodi Rose bo predstavila razvoj in filozofijo projekta TRACES, v razmerju do dragocene narave sodobne kulture in lokalno-globalnega konteksta projekta. V času kulturnih sprememb, migracij in raznolikosti, so se umetniki in kuratorji prisiljeni prilagoditi nomadskemu načinu delovanja ter se posluževati inovativnih strategij upora, da bi v svojem poklicu lahko preživeli. Skozi utelešene raziskave, dialog in produkcijo bo projekt TRACES analiziral ideje medkulturnega dialoga, med-evropske kulturne mobilnosti. Kako dialog in umetniške raziskave postanejo orodja za adaptacijo in transformacijo? Projekt vzpodbuja kontinuirano, kritično in kreativno izmenjavo med kulturnimi delavci. TRACES zagotavlja pretok in mobilnost kulturnih migrantov s čimer vzorči, inficira in prenaša posamezne segmente kulture iz različnih lokalnih kontekstov.
TRACES Symposium
Alternative cultural resources and technologies of survival
TRACES symposium explores a range of research, artistic and practical strategies for cultural survival and resistance, the challenges of building alternative organisations, and insights for ongoing creation. The discussion seeks to articulate methodologies from diverse backgrounds in order to share and transfer acquired knowledge with interested culture professionals and wider audiences. A collective questioning with a critical debate, networking artistic and curatorial approaches to build working models based on our actual practices and experiences. Looking critically at experiences in building alternative institutions, inventing strategies to survive – and the specific conditions of the local situation and context. The discussion takes place in a spirit of questioning, debate and manifestation, on how to form a different vision of globally connected local cultural conditions, why do we do what we do and how? Adapting our collective skills and resources to other forms of cultural technologies to ensure our creative and artistic survival. Tracing the process and finding methods to transfer our specific understanding into a broader field, while offering philosophical and practical resources to those seeking to build new cultural paths.
TRACES Simpozij / okrogla miza
Alternativne kulturne surovine in tehnologije preživetja
Tema simpozija oz. okrogle mize bodo inovativne umetniške in praktične strategije upora in preživetja v kulturi, s posebnim poudarkom na vzpostavljanju alternativnih organizacij, struktur in raziskav za kontinuirano produkcijo. Cilj okrogle mize je, da na osnovi naših raznolikih ozadij in izkušenj v lokalnih okoljih artikuliramo metodologije katerih se poslužujemo v praksi ter da delimo znanja z ostalimi kulturnimi delavci in s širšo zainteresirano javnostjo. Preko kolektivnega preizpraševanja, kritičnih debat, mreženjem umetniških in kuratorskih pristopov, bomo orisovali modele delovanja, ki temeljijo na naših praktičnih izkušnjah. Definirali boo procese, reflektirali ter preizpraševali lastne pozicije umetnikov, kuratorjev in raziskovalcev ter ponudili filozofske temelje za tiste, ki želijo izoblikovati nove smeri na področju kulturnega delovanja. Delite vaše izkušnje s področja vzpostavljanja alternativnih institucij in izumljanja novih preživetvenih strategij ter komentirajte lokalne izkušnje ostalih udeležencev mednarodnega simpozija. Debatirajte z nami možnosti vzpostavljanja drugačnih globalnih in lokalnih pogojev kulturnega delovanja. Do katere mere lahko prilagajamo naše sposobnosti in surovine drugačnim oblikam kulturne tehnologije, da si lahko zagotovimo kreativno in umetniško preživetje?
Production: IRZU, Moderna Galerija, ŠKUC
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